Welcome to my blog for the production of a music video on the track 'Insomnia' by the iconic Faithless

Track Choice: Faithless- Insomnia

Monday 23 September 2013

EG18: Sebastian Ingrosso-Reload

ACT: Sebastian Ingrosso

TRACK: Reload
YEAR:  2012
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: M/F15-24
Music Video:

RELATIONSHIP BETWEEN VISUALS + LYRICS:
medium shot
 There's no direct relationship between the lyrics and visual with lip syncing as there's no singer in the video, instead it's just a narrative structure however they do link at time with the lyrics, for example with the lyrics "sending you far away" the female actor finds herself lost far away.

PACE + ANY VARIATION OF PACE:

 The video is editted to fit the pace of the track so that when the track has and up beat tempo there's been fast paced editing used which aslo provides verisimilitude, but also when the track starts to loose tempo the length of the takes start to loose tempo and start to be longer.



LOCATIONS:
Establishing shot
There's a large variety of locations being used within this video which is common for music videos as it adds interest for the audience, they use lots of establishing shots to reveal these locations.

EG17: Avicii-Silhouettes

ACT: Avicii
TRACK: Solhouettes

YEAR:  2012
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: M/F15-24
Music Video:

Medium long shot
RELATIONSHIP BETWEEN VISUALS + LYRICS:
 Throughout most of the video there's no link between the visuals and the lyrics making it seem like just a narrative structure, however at the end in one shot the surgeon is diegetically singing the song which forms a relationship to the lyrics from the visuals.


PERFORMANCE, NARRATIVE AND/OR CONCEPT?:
It seems with the video that it's more narrative and concept rather than performance as there's no link with the lyrics throughout the video on until the end when a surgeon is singing but he's not related to the band so isn't entirely performance. 

 AUDIENCE IN VID?:
Extreme close up of bottles
The audience is represented within the video by the mise-en-scene with all the alcoholic bottles lined up as if they've just had a party the night before, which is the stereotypical representation of ages 15-24, and there's also a party which leads to a sex scene which is also a common representation of this ages group. 

PACE + ANY VARIATION OF PACE: 
The video is editted to the pace of the track so where the track is up beat there's been fast paced editing used which aslo provides verisimilitude, but also when the track starts to loose tempo the length of the takes start to loose tempo and start to be longer. 

Titles
 TITLES:
There's the common code with titles been used at the start of this music clip to give that cinematic approach that most directors attempt to achieve with music videos. 

EG16:Sweedish House Mafia-Don't You Worry Child

ACT: Sweedish House Mafia
TRACK: Don't You Worry Child

YEAR:  2012
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: M/F15-24
Music Video:

RELATIONSHIP BETWEEN VISUALS + LYRICS:
Lip Syncing
There's strong links between the lyrics and visuals throughout the video as it's a performance footage so the audience get to see real live footage from the band playing at festivals, however there's hardly any lip syncing which is counter stereotypical for music videos just to have one shot of lip syncing throughout the video.


  
 GENRE CHARACTERISTICS:
Layering
The genre is more progressive house as the notes are synthesised more and layered, and this is obviously signified within the music however there's layering being used in the video also which could signify this genre also. 



Two-shot
  PERFORMANCE STYLE:
With this genre it's not as focused on the vocals like with Pop or R&B so lip syncing is show as much, whereas the instruments used to play in the band are more shown on camera such as turntables and mixers because these are what are used more to create this genre of music, so often they'll be footage of these instruments being used in the music video as with this music video the band are shown live playing.



Extreme long shot
 AUDIENCE IN VID?:
In this video the band are playing at a festival in front of their audience and the audience are shown a various parts, and this is common for music videos to do this as it target their audience more and connects with them easier. 

 STAR TREATMENT:
Three shot
The star treatment isn't applied in this video as all three artists in the band contribute equally and are equally as known to the audience, which is uncommon in music videos as the lead singer is normally starred more in the video however the vocals aren't as important in the genre in comparison to other genre such as Pop and R&B.
Titles

 TITLES:
At the start of  the video it opens with a cinematic visual with the titles which is common for music videos to attempt the cinematic look.

EG11-15: House Genre

ACT: Chris Malinchak
TRACK: So Good To Me
YEAR:  2013
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: M/F15-24
Music Video:

   
Points:
Establishing shot
. Throughout this video there's no link between the visuals and lyrics and it makes the video a concept type of video.


. And there's a variety of locations which is common for music videos, and they show these locations through establishing shots.


Extreme long shot

. They also use framing well by framing the main actor in the centre of the frame in most shots which is common in most videos, this way it signifies the actors importance within the video.
Two shot

. However there is a narrative even though it's not related to the lyrics as the story is about this girl who lost her pet giraffe but then is reunited again with it, and two shots are used to show the relationship between these two.
. Also the pace of the takes in shots relates to the song and the genre of the song as it's House and it's a chilled genre so the shots are expected to be at a slower rate than what they'd be if the genre was Dance.  

ACT: Disclosure
TRACK: F For You
YEAR:  2013
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: M/F15-24
Music Video:


Points:
Close up
. It's a performance video throughout with the band playing on screen all the time, which is counter stereotypical for music videos as it could be seen as a boring way to go about a music video, the performance is shown with the instruments on screen. This performance footage is also common as it give the audience an insight to what the band would be like live.

Medium close up
. There's also a direct link between the visuals and the lyrics as the singer is lip syncing throughout the video which is common for music videos.


Long shot.
. The star treatment isn't really applied as the band are 2 brothers so are equally important within this band, and this is shown as they're equally shown on screen.

. They also use a green screen for the effects in the background with the lazers which is common as it's an easy way to achieve this appealing effect.


. However the video is set all in 1 location which is also counter sterotypical for music videos as it could lead to the audience in finding it boring and not wanting to watch it again as they could loose interest.

ACT: Bondax
TRACK: Gold
YEAR:  2013
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: F:15-24
Music Video:


Close Up
Points:
.Throughout the video there's no link between lyrics and visuals within lip syncing which makes it seem like a narrative video, however there's parts where the lyrics "gold" is signified by having a gold. watch or paint.


Medium close up
. There's also the female gaze theory being applied by having the male actor very revealing with him in the shower and having no clothes on at parts, this way it's supposed to appeal more to the female audience.

. However the whole video is based in one location so it lacks a variety of location, whereas it's common for music videos to use lots of locations as they have the ability to attempt this.



. They do use a large variety of shot types and angle which helps to achieve verisimilitude and makes the video interesting.
. And close-ups are used on the main actor to reveal his emotion which is commonly used in music videos when showing the main actor within the narrative.

ACT: Bondax
TRACK: Giving It All
YEAR:  2012
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: M/F18-24
Music Video:
Establishing shot

Points:
. There's a difference straight away in comparison to Bondax's earlier video "Gold" where there was just one location, because in this video they use a variety of locations which is common for music videos.
Titles

. Also there's a common feature with the titles being used at the start of the music video as it gives the cinematic feel to it.



Two shot
. It's a narrative structured video as the lyrics are telling a love story and the narrative is following a couple that are in love.
. The mise-en-scene works well to direct the narrative at the target audience as they're dressed like 18-24 years old in jeans and baggy t-shirts.


Long shot
. They also portray the stereotypical representation for this age group as they are partying and drinking, this is signified with them dancing and drinking out of bottles, also they're skateboarding which is stereotypical for males at this age.

ACT: Disclosure
TRACK: White Noise
YEAR:  2013
DIRECTOR: 
GENRE: House
MAIN AUDIENCE: M/F15-24
Music Video:

 

Points:
Medium long shot
. The whole video is set in one location and lacks a variety of locations which is counter-typical because it makes the video dull at times and doesn't often leave the audience in wanting to watch it again.
. And what's fairly common is that they've incorporated the performance in with the narrative as they have lip syncing and instruments being played but they aren't the real band.
Medium close up



. Also the mise-en-scene has worked well within the narrative as it's portraying the 'Rapture' and it's set in a church and the lead actor looks like a reverend with his costume.
Medium long shot





. And they show an older audience in the video which is common in music videos so that they appeal to the secondary audience.

.There's also a lot of cut away shots used from the lead singer and other shots which helps achieve verisimilitude well, which is also commonly used in music videos.

Tuesday 17 September 2013

EG6-10: 5 Music Vids


ACT: Lana Del Rey
TRACK: Blue Jeans
YEAR:  April 2012
DIRECTOR: Yoann Lemoine
GENRE: Surf Rock
MAIN AUDIENCE: F 15-24
Music Video:



Points:
. This music video uses long takes instead of fast paced however it still uses the long takes to good effect because it's a slow song so it doesn't sound unusual.
Over-the-shoulder shot
Extreme long shot
Extreme close-up
. And even though it uses long takes there's still a variety of shot types being used which contribute to the verisimilitude, for example; high angle, low angle, over the shoulder, close-up, long shot, extreme close up. And it does all these in a short space of time.

. There's also a black and white tint used all throughout the video which gives it this old vintage look it also contributes to the mysterious feel to the video.


Reflection effect.
.The video opens with water in the first shot and has a ripply effect which could signify lots of things leaving it ambiguous for the audience, it uses it to good effect when the singer's face is reflected on the ripples

.And the relationship between the lyrics and visuals are very clear because we can tell it's a love story with the couple being together, and also the singer lip syncs throughout.


ACT: Fun
TRACK: We are young
YEAR:  September 2011
DIRECTOR:  Marc Klasfeld
GENRE: Indie Pop
MAIN AUDIENCE: F/M 15-24

medium close-up
Points:
. The lead singer is directing the lyrics to the audience as if he's telling the story by lip syncing and looking towards the camera, the medium close-up on his face works well to show the lip syncing and his emotions towards the lyrics.
medium long-shot

. Also the performance from the band is shown throughout this video which is commonly used with bands in this genre, and their instruments are all revealed instead of just choosing to do a fixed narrative video. 



Dark lighting
. The lighting is this video is also used to good effect because it's a dull emotional song the lighting is dimmed in the scene instead of being bright, this way it cannotes the emotions that should be felt. 

.Mostly all of the video is in slow motion which works well with the song as it's a slow song so the visuals fit in time with the beat.

Indie costumes
. The band member's costumes also fit in with the genre as it's very indie with them being in suits and trainers so the mise-en-scene here has worked well. 








ACT: Bon Jovi
TRACK: Livin On A Prayer
YEAR:  1986
DIRECTOR: 
GENRE: Glam Metal
MAIN AUDIENCE: M 24-34
Music Video:


Points:

Medium Close-up
. The heavy metal genre is anchored within the mise-en-scene as the band members shown in the music video are wearing leather jackets and have long hair which is common for heavy metal bands. 



. This video also uses a common convention where the music video shows the band members goofing around, it does this so that the audience feel like they get to know the personalities of the band members and feel like they have a direct connection.
Low Angle

.They also use star treatment for the lead singer when he's singing and they use low angles shots to show his authority within the band



Long Shot




.
 . And the video shows performance footage which is common for music videos by showing the band with their instruments and the singer with his microphone.
. Also they use good shot vairation to help achieve verisimilitude well instead of doing long takes.



ACT: Blue
TRACK: One Love
YEAR:  2002
DIRECTOR: 
GENRE: Pop, R&B
MAIN AUDIENCE: M/F 24-34
Music Video:





Points:
Establishing shot
. In this video they use a green screen to prove the locations as it's an easy method to vary the locations without actually using these locations, instead it's done with special effects and it also helps the transitions work well in this video.
. Also the genre is urban pop and the locations signify this by using gritty urban alleys which also give it this rural feel.
Long shot
. And whenever there's a singer in shot the singer is always looking directly at the camera which is common in music videos especially bands, this way it helps to connect with the audience more directly.

High angle shot
 . They also apply the male gaze theory with some of the band members as they're wearing revealing clothing to appeal more to the female genre.

. And with the shot variety that they use they also use high angle shots for when the singer is lip syncing directly to the camera to make them look powerful and in control.

 

ACT: Eminem
TRACK: Love The Way You Lie
YEAR:  2010
DIRECTOR: Joseph Kahn
GENRE: Hip Hop, Pop
MAIN AUDIENCE: M 24-34
Music Video:


Close up
Points:
. There's a strong narrative in this video with a strong link between thew visuals and lyrics in this sense as the narrative is about a couple and domestic abuse, and there;s verses such as "love the way you lie" which link with this subject.
. The video also had performance footage for when the lead singers are directly looking into the camera.  
Establishing shot
.There's a wide range of shot variety used using different locations which is vital to keep the video interesting and the audience interested.

. And with the fast beat of the song there's fast paced editing used for the action scenes , for example when the couple are fighting there's good use of continuity editing being applied and helps add to the verisimilitude.
. The mise-en-scene also works well as it's a rural image being portrayed within the visuals and the setting and clothes all signify this.

Sunday 1 September 2013

EG5: Fatboy Slim - Praise You TBC

TRACK: Praise You
YEAR:1999
DIRECTOR: Spike Jonze
MAIN AUDIENCE: 24/34
Music Video:




RELATIONSHIP BETWEEN VISUALS + LYRICS:
There is no relationship between the visuals and the lyrics as there's no lip syncing involved in the video, however the dancers involved in the video do dance to the rhythm and sound of the song.

 

GENRE CHARACTERISTICS:
Dancer's costumes.
One of the genres is 'Trip hop' and this originated in the 1990's and in the music video the costumes for the dancers signify the time period, it also contains hip hop influences and these costumes signify this, whereas if it was a genre like classical then the dancers would be dressed much more formal instead they're dressed in lycra which is more of an anchor to the genre.